"I remember one night we had, we were a few months in the US, and we had friends over and there was a knock on the door and we opened the door and this these boy scouts and this guy from the Salvation Army rolled in with canned food and clothes and gifts and a tree. And we were all kind of bewildered. What was going on and they came in and they put the tree and they wished us merry Christmas and give all they gave us gifts and so on. They were grateful, but it was also so strange that there roles are reversed now. I remember going to the grocery store with my mom and she would pay for food with food stamps and that was so mortifying for her."
Season One
"So I was in the car I was reading, I was preparing my mind intervention with the Minister of Foreign Affairs I remember, and at a certain moment an incredible bang! The car rocked right and left and like like a ball of fire in the air the car stopped. Smoke started coming into the car and with my colleagues, because we were four, I said Are you all alive? Are we all alive? And we had this, we were incredible readiness, if you want, to position ourselves into the brace position when you go Brace, brace and to realise to touch ourselves if we had all our pieces in the right place [...] Everywhere, everywhere one can touch. I tell you the truth. To check if we had blood, and checking on each other. But then this smoke started to come in the car and the car could not move."
:: Alessandra Morelli interviewed by Melissa Fleming
[S]omebody said to me once to be a real humanitarian you need to be a bit of a lawyer, a bit of a cowboy, a bit of a nun, and a bit of a nurse. And I really think that is true you know because you cannot be just a charity person. You need to be strong enough and stay solid enough and look after yourself as well in the middle of crisis to be able to respond. But of course globally it is traumatizing. You know we are in the 21st century, were getting into the 22nd century whatever it is, time passes and the atrocities that you see in war, the numbers of refugees around the world it is something that still shocks me.
:: Felipe Camargo interviewed by Melissa Fleming
I always say that the doctors, the surgeons, the nurses, they saved my life physically [...] My family was there to support me. But everybody, everybody questioned me whether I could work again. Nobody believed it. I was supported to finally go back and do the story in Lebanon of the Syrian refugees [...] They didnt look at me and think 'he cant do his job'. They trusted me with their stories [...] When that work was published is when people started commissioning me again to work. So I always say it was those Syrian refugees [...] They were the ones that gave me my life back [...] without them I would not be able to be a photographer.
:: Giles Duley interviewed by Melissa Fleming
What keeps me awake is my staff that they will perhaps suffer more than what they have suffered so far. The Syrians that have gone through this, may have to go through more pain and more suffering. [...] It has to stop somewhere. We have been saying enough is enough, but even enough for Syria has a new definition. What is that enough? And these thoughts make me angry, make me sad because at end of the day I see people dying in Syria. People are losing their lives in Syria.
:: Sajjad Malik interviewed by Melissa Fleming
"Ive worked in worse situations, for example in Sri Lanka and in Somalia but maybe this time around because I am part of that community, it was really so difficult for me and weve been trained as humanitarians to try and control your emotions so that you could be able to think clearly and be able to give support. But in this situation I actually began to doubt myself."
:: Fatima Mohammed interviewed by Melissa Fleming
[I was] handcuffed to a metallic cable that is tied to a bed so that gives me little margin of movement around the bed on one side of the bed. Enough to make four footsteps and you get used to that. It was dark. Darkness was more difficult to cope with than limited freedom of movement. Darkness is something that is oppressive.